Showing posts with label land art/urban. Show all posts
Showing posts with label land art/urban. Show all posts
Monday, October 5, 2009

Blu Going Further

Blu Going Further

Friday, October 2, 2009

After a conversation with AB

After a conversation with AB

Saturday, July 11, 2009

Anthill sculpture

    It's my birthday, so today I'm leaving you with some new art that was not meant to be art, made by a scientist in collaboration with ants... (Don't mind the off-screen commentary and enjoy the visual ride).



    (If you're interested in the ant-not-art part of it, you can see the 6-minute documentary episode here)
    (Thanks Pusty!)Source URL: https://tattoosnyong.blogspot.com/search/label/land%20art%2Furban
    Visit tattoos nyong for Daily Updated Hairstyles Collection

Anthill sculpture

    It's my birthday, so today I'm leaving you with some new art that was not meant to be art, made by a scientist in collaboration with ants... (Don't mind the off-screen commentary and enjoy the visual ride).



    (If you're interested in the ant-not-art part of it, you can see the 6-minute documentary episode here)
    (Thanks Pusty!)Source URL: https://tattoosnyong.blogspot.com/search/label/land%20art%2Furban
    Visit tattoos nyong for Daily Updated Hairstyles Collection
Tuesday, July 7, 2009

Surfacing

Surfacing

Tuesday, May 5, 2009

Love, Art and Coimbra




    Coimbra, a city in central Portugal, has one of the most beautiful - and creepy - love stories ever to be heard. It is the story of Pedro and Inês, a Portuguese heir to the throne and a Spanish aristocrat's maid. It has a tragic ending, much more gruesome than Romeo and Juliet (Pedro's own father, king Afonso IV, fears a political scandal and has Inês assissined), and contains what is one of the most extraordinary episodes in royal history: Pedro, besides declaring war on his father, declares he had wed his lover in secret shortly before her death, has her body exhumed and placed on a throne, and has the entire court kiss the dead girl's hand as a sign of loyalty to their sovereign.
    Inês spent her last years in a Monastery in Coimbra, and the city is to this day associated with romance.
    Now, what is particularly enjoyable in the story you are about to read, is that it happened in the same town, and yet, none of it ever meant to deal with the legend. It is but a simple story of two people. One of them happens to be the architect and artist Juan de la Mora.


    "These hearts were painted by my girlfriend and I in Coimbra, Portugal a couple of years back. She is from Coimbra and I am from Chicago and we've been able to maintain a long distance relationship for the past 2.5 years. Since then, we continue to paint some of these hearts every time we are together in Coimbra. What is interesting about Portugal's Calçada (sidewalk), is that you can take a combination of a minimum of three stones and find the shape of an abstract heart form. The heart can grow by adding more stones to the original three."
    Source URL: https://tattoosnyong.blogspot.com/search/label/land%20art%2Furban
    Visit tattoos nyong for Daily Updated Hairstyles Collection

Love, Art and Coimbra




    Coimbra, a city in central Portugal, has one of the most beautiful - and creepy - love stories ever to be heard. It is the story of Pedro and Inês, a Portuguese heir to the throne and a Spanish aristocrat's maid. It has a tragic ending, much more gruesome than Romeo and Juliet (Pedro's own father, king Afonso IV, fears a political scandal and has Inês assissined), and contains what is one of the most extraordinary episodes in royal history: Pedro, besides declaring war on his father, declares he had wed his lover in secret shortly before her death, has her body exhumed and placed on a throne, and has the entire court kiss the dead girl's hand as a sign of loyalty to their sovereign.
    Inês spent her last years in a Monastery in Coimbra, and the city is to this day associated with romance.
    Now, what is particularly enjoyable in the story you are about to read, is that it happened in the same town, and yet, none of it ever meant to deal with the legend. It is but a simple story of two people. One of them happens to be the architect and artist Juan de la Mora.


    "These hearts were painted by my girlfriend and I in Coimbra, Portugal a couple of years back. She is from Coimbra and I am from Chicago and we've been able to maintain a long distance relationship for the past 2.5 years. Since then, we continue to paint some of these hearts every time we are together in Coimbra. What is interesting about Portugal's Calçada (sidewalk), is that you can take a combination of a minimum of three stones and find the shape of an abstract heart form. The heart can grow by adding more stones to the original three."
    Source URL: https://tattoosnyong.blogspot.com/search/label/land%20art%2Furban
    Visit tattoos nyong for Daily Updated Hairstyles Collection
Monday, April 6, 2009

Dress-up

Dress-up

Monday, March 2, 2009

Reconnaissance - installation view

Reconnaissance - installation view

Monday, February 23, 2009

Robin Hood Above

    The artist going by the name of Above made this stencil in Lisbon. (I actually know the lady sitting on the right - she is one of Lisbon's classic characters). In a gesture the artist herhimself admits robinwoodesque, Above is selling prints of this picture and will give all the profits to two charities she has previously selected. More info here.Source URL: https://tattoosnyong.blogspot.com/search/label/land%20art%2Furban
    Visit tattoos nyong for Daily Updated Hairstyles Collection

Robin Hood Above

    The artist going by the name of Above made this stencil in Lisbon. (I actually know the lady sitting on the right - she is one of Lisbon's classic characters). In a gesture the artist herhimself admits robinwoodesque, Above is selling prints of this picture and will give all the profits to two charities she has previously selected. More info here.Source URL: https://tattoosnyong.blogspot.com/search/label/land%20art%2Furban
    Visit tattoos nyong for Daily Updated Hairstyles Collection
Sunday, February 22, 2009

The Actors - Reconnaissance, by Wojtek Ziemilski

The Actors - Reconnaissance, by Wojtek Ziemilski

Tuesday, January 27, 2009

A performance by Public Movement in Łódź

    UPDATE (4.February):
    Public Movement is an Israeli performance group. The action you see below was made by them in Łódź, Poland.
    A short explanation: before WW2, Łódź used to have a very large Jewish minority. The Jews were, among others, the owners of a significant part of the textile industry thriving in the city. Today, there are practically no more Jews there - and no more industry as well (although the industry did go on until the 70's, I believe). It is a poor and degraded city, with a lot of social problems, and where antisemitism is still present (although the vast majority of the inhabitants have never seen a Jew).
    It is one of the very few places I know where one can still find antisemitic slogans on the walls.
    So here you have it: the Israelis arrive and correct the Star of David. They basically make a grafitti of how it should look like, and put the correct form over the incorrect one.

    And a few little ideas:
    - The grafitti they choose to work with are not openly antisemitic. They simply replace one of the letters of the name of a soccer club (ŁKS) with a Star of David. So this is a "neutral" correction on a "neutral" sign.

    - The ritual. Ah, the ritual. Turns it all into an action of purity. Precious.

    - Notice one other, much more hidden, interpretation: the Jews are back in town. They are here, after our land. They put their stamp on the walls. They claim what is theirs (the club, the building). They are tagging their city.

    - But one idea I think is crucial, and might be overlooked in all this will to interpret every single aspect of the work. Public Movement seems to be saying "Yes, this is who we are. We see no reason to be ashamed of it. Do you? Are you not embarrassed to have thought this was inappropriate or even silly, in any way?"

    This is some brilliant playing with street art, semiotics, identity and politics.
    The one question that I find problematic is - yes, this is on the spot. But for whom? Who is the audience? Is it public art, or just private art in public space? Or maybe it is public art, only for the audience that is reading about it now? So where does that leave the people who walk by this daily? Do we expect them to have a surge of initiative and paint over the whole signs? Or are we, deep inside, enjoying the fact that it's still there, everything is just the same, while we, the smart ones, know and watch?
    I really do not know. I do not have better solutions. This, of course, is not a solution either - it is highliting the question(s). But what are we to make of this insistent neutrality right in the middle of a political issue? Is it a curse, the curse of constant distance? Or the blessing of a delicately balanced gesture, for once?









    Source URL: https://tattoosnyong.blogspot.com/search/label/land%20art%2Furban
    Visit tattoos nyong for Daily Updated Hairstyles Collection

A performance by Public Movement in Łódź

    UPDATE (4.February):
    Public Movement is an Israeli performance group. The action you see below was made by them in Łódź, Poland.
    A short explanation: before WW2, Łódź used to have a very large Jewish minority. The Jews were, among others, the owners of a significant part of the textile industry thriving in the city. Today, there are practically no more Jews there - and no more industry as well (although the industry did go on until the 70's, I believe). It is a poor and degraded city, with a lot of social problems, and where antisemitism is still present (although the vast majority of the inhabitants have never seen a Jew).
    It is one of the very few places I know where one can still find antisemitic slogans on the walls.
    So here you have it: the Israelis arrive and correct the Star of David. They basically make a grafitti of how it should look like, and put the correct form over the incorrect one.

    And a few little ideas:
    - The grafitti they choose to work with are not openly antisemitic. They simply replace one of the letters of the name of a soccer club (ŁKS) with a Star of David. So this is a "neutral" correction on a "neutral" sign.

    - The ritual. Ah, the ritual. Turns it all into an action of purity. Precious.

    - Notice one other, much more hidden, interpretation: the Jews are back in town. They are here, after our land. They put their stamp on the walls. They claim what is theirs (the club, the building). They are tagging their city.

    - But one idea I think is crucial, and might be overlooked in all this will to interpret every single aspect of the work. Public Movement seems to be saying "Yes, this is who we are. We see no reason to be ashamed of it. Do you? Are you not embarrassed to have thought this was inappropriate or even silly, in any way?"

    This is some brilliant playing with street art, semiotics, identity and politics.
    The one question that I find problematic is - yes, this is on the spot. But for whom? Who is the audience? Is it public art, or just private art in public space? Or maybe it is public art, only for the audience that is reading about it now? So where does that leave the people who walk by this daily? Do we expect them to have a surge of initiative and paint over the whole signs? Or are we, deep inside, enjoying the fact that it's still there, everything is just the same, while we, the smart ones, know and watch?
    I really do not know. I do not have better solutions. This, of course, is not a solution either - it is highliting the question(s). But what are we to make of this insistent neutrality right in the middle of a political issue? Is it a curse, the curse of constant distance? Or the blessing of a delicately balanced gesture, for once?









    Source URL: https://tattoosnyong.blogspot.com/search/label/land%20art%2Furban
    Visit tattoos nyong for Daily Updated Hairstyles Collection

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