Showing posts with label funny. Show all posts
Showing posts with label funny. Show all posts
Sunday, December 19, 2010

Melting ears (on Cory Arcangel's two works)

    The one I liked was this:


    while the one that goes further is this:


    Both are fragments of works by Cory Arcangel.
    The difference between them is significant. The first one is a joke - it is a repetition, a trick played on the idea of reproduction or universality.
    The other one too. But the other one moves towards something else. It provides us with the doubt as to what it should be like. I don't know Schoenberg's op. 11, 3. I might have heard it, but I'm not sure how it sounds. Yet it certainly doesn't sound like these cats. Or does it? What is it about Schoenberg that makes him sound like Schoenberg? And why do we need him to sound like Schoenberg? (Why do we call artists people who interpret in the most faithful way? And no, this is not a rhetorical question. What is it about repetition that still makes it move us aesthetically? And no, any form of the answer "the difference within the repetition" will not satisfy me as long as I keep putting the same piece on my mp3 player and enjoy it beause it is the same, and still appreciate its freshness, not its "difference".) The thing, here, is not just about the cats, it isn't the old elephant-making-oil-paintings trick. It is rather about other possibilities of listening, of paying attention, of defining what you hear. Can we hear the Schoenberg in the original cat videos? Can we hear Bach in the original music versions? The Bach composition, in that sense, says too much - it states a clear correspondence between the original YouTube videos and Bach's work. The second says less: it says "it is out there, but it's hard to say where exactly, and why exactly we would stop there". (And does it while being damn funny). And that's when our ears melt and reconsolidate, they become other ears, and other, and other. We are forced to listen to what might be there, and not what we think is there.
    So why do I like the first video more? Maybe because I still enjoy what is there a lot.
    Or because I'm not a fan of Schoeberg.
    Source URL: https://tattoosnyong.blogspot.com/search/label/funny
    Visit tattoos nyong for Daily Updated Hairstyles Collection

Melting ears (on Cory Arcangel's two works)

    The one I liked was this:


    while the one that goes further is this:


    Both are fragments of works by Cory Arcangel.
    The difference between them is significant. The first one is a joke - it is a repetition, a trick played on the idea of reproduction or universality.
    The other one too. But the other one moves towards something else. It provides us with the doubt as to what it should be like. I don't know Schoenberg's op. 11, 3. I might have heard it, but I'm not sure how it sounds. Yet it certainly doesn't sound like these cats. Or does it? What is it about Schoenberg that makes him sound like Schoenberg? And why do we need him to sound like Schoenberg? (Why do we call artists people who interpret in the most faithful way? And no, this is not a rhetorical question. What is it about repetition that still makes it move us aesthetically? And no, any form of the answer "the difference within the repetition" will not satisfy me as long as I keep putting the same piece on my mp3 player and enjoy it beause it is the same, and still appreciate its freshness, not its "difference".) The thing, here, is not just about the cats, it isn't the old elephant-making-oil-paintings trick. It is rather about other possibilities of listening, of paying attention, of defining what you hear. Can we hear the Schoenberg in the original cat videos? Can we hear Bach in the original music versions? The Bach composition, in that sense, says too much - it states a clear correspondence between the original YouTube videos and Bach's work. The second says less: it says "it is out there, but it's hard to say where exactly, and why exactly we would stop there". (And does it while being damn funny). And that's when our ears melt and reconsolidate, they become other ears, and other, and other. We are forced to listen to what might be there, and not what we think is there.
    So why do I like the first video more? Maybe because I still enjoy what is there a lot.
    Or because I'm not a fan of Schoeberg.
    Source URL: https://tattoosnyong.blogspot.com/search/label/funny
    Visit tattoos nyong for Daily Updated Hairstyles Collection
Thursday, March 4, 2010

The Way Things Go and Pass



    Fischli and Weiss, Der Lauf Der Dinge (The Way Things Go), video, 30', 1987


    Honda Ad, 2003



    OK Go - This Too Shall Pass, 2009


    I remember the choreographer João Fiadeiro once showing Fischli & Weiss's work during some seminar or workshop and talking about what in his mind made it so impressive: necessity. Although it might seem like anything can happen, what happens is exactly what needs to happen. A tautology that evolves in time? But isn't any proof precisely that - a dynamic tautology?
    So is it because it's a proof that it's so appealing?
    A proof of what?
    Of how things go, we are tempted to say.
    Which, of course, is just silly talk. It's precisely because things don't go this way that we enjoy it so much. It's because the unexpected becomes necessary.

    What about this "evolution"? The work of art turned into a commercial turned into a music video. Don't expect any moral judgement on that. Actually, I enjoyed all three videos.
    We could discuss the question of authorship. But we won't. (Fischli & Weiss threatened to sue Honda).
    Here's what I've been pondering on: what exactly are the differences?
    Because, once you've accepted that they're all in the same category (actually, this type of inventions is called either Heath Robinson contraptions (UK), or (more commonly) Rube Goldberg Machines (US) and have been in popular culture at least since the beginning of the 20th century), you can see into how very different they are.
    So what makes it an art project, a commercial, a music video?
    If we turn the volume off, what changes?
    If we put music, or switch it from one video to another?
    The timing, the materials, the way things go and pass.
    What sort of universe appears in each of them?
    Yes, that's precious: they each have their own universe. They are entities. You can easily find yourself around them, with their texture, their dynamics, their smell...
    One more thing: aren't they each hiding in their specific ways this very basic urge for things to make sense?
    If that is so, it's beyond necessity or discovery. It's the comfort of order. The sense that somewhere beyond the frame, things are just waiting to come into action, to move into view. And their potential is already in perfect harmony with the moment when they will become what they are meant to be. The best of possible worlds.
    It shouldn't come as a surprize that these delicately balancing certainties remind us of childhood.Source URL: https://tattoosnyong.blogspot.com/search/label/funny
    Visit tattoos nyong for Daily Updated Hairstyles Collection

The Way Things Go and Pass



    Fischli and Weiss, Der Lauf Der Dinge (The Way Things Go), video, 30', 1987


    Honda Ad, 2003



    OK Go - This Too Shall Pass, 2009


    I remember the choreographer João Fiadeiro once showing Fischli & Weiss's work during some seminar or workshop and talking about what in his mind made it so impressive: necessity. Although it might seem like anything can happen, what happens is exactly what needs to happen. A tautology that evolves in time? But isn't any proof precisely that - a dynamic tautology?
    So is it because it's a proof that it's so appealing?
    A proof of what?
    Of how things go, we are tempted to say.
    Which, of course, is just silly talk. It's precisely because things don't go this way that we enjoy it so much. It's because the unexpected becomes necessary.

    What about this "evolution"? The work of art turned into a commercial turned into a music video. Don't expect any moral judgement on that. Actually, I enjoyed all three videos.
    We could discuss the question of authorship. But we won't. (Fischli & Weiss threatened to sue Honda).
    Here's what I've been pondering on: what exactly are the differences?
    Because, once you've accepted that they're all in the same category (actually, this type of inventions is called either Heath Robinson contraptions (UK), or (more commonly) Rube Goldberg Machines (US) and have been in popular culture at least since the beginning of the 20th century), you can see into how very different they are.
    So what makes it an art project, a commercial, a music video?
    If we turn the volume off, what changes?
    If we put music, or switch it from one video to another?
    The timing, the materials, the way things go and pass.
    What sort of universe appears in each of them?
    Yes, that's precious: they each have their own universe. They are entities. You can easily find yourself around them, with their texture, their dynamics, their smell...
    One more thing: aren't they each hiding in their specific ways this very basic urge for things to make sense?
    If that is so, it's beyond necessity or discovery. It's the comfort of order. The sense that somewhere beyond the frame, things are just waiting to come into action, to move into view. And their potential is already in perfect harmony with the moment when they will become what they are meant to be. The best of possible worlds.
    It shouldn't come as a surprize that these delicately balancing certainties remind us of childhood.Source URL: https://tattoosnyong.blogspot.com/search/label/funny
    Visit tattoos nyong for Daily Updated Hairstyles Collection
Wednesday, February 17, 2010

The Landscape Is You

    Two gorgeous 2009 Szpilman Award candidates:
    The runner-up, Alexander Thieme with his Embedded


    ... and this year's winner, Hank Schmidt in der Beek, with In den Zillertaler Alpen






    Can you spot me?
    What am I, within this overwhelming sight?
    Am I a humble creature? Do I not see myself?
    Or is it but a false humility, a false erasing of the onlooker's look?
    --
    I was told twice in the last two days that one should not make art in anyone else's name but her own.
    You want it - you have it.
    Hank Schmidt In Der Beek, you have just made my day.

    Other candidates can be found here. Also check out their blog.Source URL: https://tattoosnyong.blogspot.com/search/label/funny
    Visit tattoos nyong for Daily Updated Hairstyles Collection

The Landscape Is You

    Two gorgeous 2009 Szpilman Award candidates:
    The runner-up, Alexander Thieme with his Embedded


    ... and this year's winner, Hank Schmidt in der Beek, with In den Zillertaler Alpen






    Can you spot me?
    What am I, within this overwhelming sight?
    Am I a humble creature? Do I not see myself?
    Or is it but a false humility, a false erasing of the onlooker's look?
    --
    I was told twice in the last two days that one should not make art in anyone else's name but her own.
    You want it - you have it.
    Hank Schmidt In Der Beek, you have just made my day.

    Other candidates can be found here. Also check out their blog.Source URL: https://tattoosnyong.blogspot.com/search/label/funny
    Visit tattoos nyong for Daily Updated Hairstyles Collection
Saturday, December 26, 2009

Wishing you aesthetic pleasure

Wishing you aesthetic pleasure

Sunday, December 20, 2009

Wink

Wink

Thursday, August 13, 2009

Funnily enough

    Life is Everywhere (2004)

    En Epoch of Clemency (2007?)

    Hedgehog in a Fog (2004)

    Talent Can't Be Boozed Away (2004)

    From Sindbad and International Terrorism (10 Heroic Deeds) (2006)

    From Sindbad and International Terrorism (10 Heroic Deeds) (2006)

    From Fucking Fascism (1998)

    All works by the Russian collective Blue Noses (most known for the 2007 scandal one of their works provoked).

    (Thanks Liz!)
    Source URL: https://tattoosnyong.blogspot.com/search/label/funny
    Visit tattoos nyong for Daily Updated Hairstyles Collection

Funnily enough

    Life is Everywhere (2004)

    En Epoch of Clemency (2007?)

    Hedgehog in a Fog (2004)

    Talent Can't Be Boozed Away (2004)

    From Sindbad and International Terrorism (10 Heroic Deeds) (2006)

    From Sindbad and International Terrorism (10 Heroic Deeds) (2006)

    From Fucking Fascism (1998)

    All works by the Russian collective Blue Noses (most known for the 2007 scandal one of their works provoked).

    (Thanks Liz!)
    Source URL: https://tattoosnyong.blogspot.com/search/label/funny
    Visit tattoos nyong for Daily Updated Hairstyles Collection
Monday, April 13, 2009

Guerrilla marketing

Guerrilla marketing

Monday, April 6, 2009

Dress-up

Dress-up

Sunday, January 4, 2009

Traveling here and there

Traveling here and there

Monday, December 8, 2008

Twisting and turning (with a little help from electricity)

    Daito Manabe is a funny guy.

    But he also knows his business. This is no accidental work, as Manabe is a serious artist and very serious programmer. While looking through his work, I came across a video fragment of a stunning performance where he was in charge of programming (more specifically, of "sound/oscillation/programming"), a work called true, directed by dumb type's Takayuki Fujimoto. And, as expected from the co-creator of one of the most outstanding multimedia performance groups ever, this is... well, prepare to be amazed.




    (via)Source URL: https://tattoosnyong.blogspot.com/search/label/funny
    Visit tattoos nyong for Daily Updated Hairstyles Collection

Twisting and turning (with a little help from electricity)

    Daito Manabe is a funny guy.

    But he also knows his business. This is no accidental work, as Manabe is a serious artist and very serious programmer. While looking through his work, I came across a video fragment of a stunning performance where he was in charge of programming (more specifically, of "sound/oscillation/programming"), a work called true, directed by dumb type's Takayuki Fujimoto. And, as expected from the co-creator of one of the most outstanding multimedia performance groups ever, this is... well, prepare to be amazed.




    (via)Source URL: https://tattoosnyong.blogspot.com/search/label/funny
    Visit tattoos nyong for Daily Updated Hairstyles Collection

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