Sunday, November 30, 2008

Somewhere Between Here and Nowhere

Somewhere Between Here and Nowhere

Saturday, November 29, 2008

"Art is seeing things from a different perspective"



    Diogenes Laertes, Lives of Eminent Philosophers, Pythagoras, Bk. VIII, 8:

    “When Leon the tyrant of Phlius asked Pythagoras who he was, he said, “a philosopher,” and that he compared life to the Great Games, where some went to compete for the prize and others went with wares to sell, but the best as spectators; for similarly, in life, some grow up with servile natures, greedy for fame and gain, but the philosopher seeks for truth.”


    Video by comedian/musician Chris Cohen.
    (via)Source URL: https://tattoosnyong.blogspot.com/2008/11/
    Visit tattoos nyong for Daily Updated Hairstyles Collection

"Art is seeing things from a different perspective"



    Diogenes Laertes, Lives of Eminent Philosophers, Pythagoras, Bk. VIII, 8:

    “When Leon the tyrant of Phlius asked Pythagoras who he was, he said, “a philosopher,” and that he compared life to the Great Games, where some went to compete for the prize and others went with wares to sell, but the best as spectators; for similarly, in life, some grow up with servile natures, greedy for fame and gain, but the philosopher seeks for truth.”


    Video by comedian/musician Chris Cohen.
    (via)Source URL: https://tattoosnyong.blogspot.com/2008/11/
    Visit tattoos nyong for Daily Updated Hairstyles Collection
Thursday, November 27, 2008

HAPPY THANKSGIVING!!!!

Swingin pullin droppin as if it all never happened

Swingin pullin droppin as if it all never happened

Beautiful Catastrophy - Kristine Moran's painting





    What I find fascinating in Kristine Moran's paintings is the sense of discipline. The disasters that keep appearing, the huge messes of messes, the total wreck of a reality she introduces us into, seem like a carefuly planned catastrophy.
    No wonder she arrived at theater interiors, with their settings ready for the show, with the wardrobe mirrors reflecting every possible aspect of the mask, with their ridiculously decorative shapes that are bound to disappear when it happens.
    This stage is set for failure. A beautiful failure of something that seemed to be going right. Everything was set, every rule was applied and every hope was nurtured.
    And yet, the closer to what matters, to the subject (the topic, the I, the eye), the bigger the tension.
    Until it all just blows up in pieces.

    But not entirely. And call me an optimist, but this structure which reappears even in the most amorphous circumstances sustains not just the painting, but also, whatever is left of me, the empathic viewer.

    Moran's pictures have evolved into an astonishing universe where 3D space that contains, well, how do I put it... paint. Color. Texture. Painting is the better word here. It is as if the painting, a 2D picture, moved into a 3D space. And the space accepted it, incorporating it in its realm. If you think this is a metaphor, see this:

    Kristine Moran has been compared to Francis Bacon. Yes, sure, the inter-dependence of form and reality, their perverse games of hide-and-seek... But Moran's work seemingly leaves the human body - though certainly not the human - much further behind. And maybe because of that, it appears as not so much a struggle of the artist, as a struggle between the forms themselves. As she watches them, cooly, from a distance.

    The titles are, in order of appearance: You Used To Be Alright, What Happened ; The World Is Yours ; Collapse of Will ; Hunter - Gatherer.Source URL: https://tattoosnyong.blogspot.com/2008/11/
    Visit tattoos nyong for Daily Updated Hairstyles Collection

Beautiful Catastrophy - Kristine Moran's painting





    What I find fascinating in Kristine Moran's paintings is the sense of discipline. The disasters that keep appearing, the huge messes of messes, the total wreck of a reality she introduces us into, seem like a carefuly planned catastrophy.
    No wonder she arrived at theater interiors, with their settings ready for the show, with the wardrobe mirrors reflecting every possible aspect of the mask, with their ridiculously decorative shapes that are bound to disappear when it happens.
    This stage is set for failure. A beautiful failure of something that seemed to be going right. Everything was set, every rule was applied and every hope was nurtured.
    And yet, the closer to what matters, to the subject (the topic, the I, the eye), the bigger the tension.
    Until it all just blows up in pieces.

    But not entirely. And call me an optimist, but this structure which reappears even in the most amorphous circumstances sustains not just the painting, but also, whatever is left of me, the empathic viewer.

    Moran's pictures have evolved into an astonishing universe where 3D space that contains, well, how do I put it... paint. Color. Texture. Painting is the better word here. It is as if the painting, a 2D picture, moved into a 3D space. And the space accepted it, incorporating it in its realm. If you think this is a metaphor, see this:

    Kristine Moran has been compared to Francis Bacon. Yes, sure, the inter-dependence of form and reality, their perverse games of hide-and-seek... But Moran's work seemingly leaves the human body - though certainly not the human - much further behind. And maybe because of that, it appears as not so much a struggle of the artist, as a struggle between the forms themselves. As she watches them, cooly, from a distance.

    The titles are, in order of appearance: You Used To Be Alright, What Happened ; The World Is Yours ; Collapse of Will ; Hunter - Gatherer.Source URL: https://tattoosnyong.blogspot.com/2008/11/
    Visit tattoos nyong for Daily Updated Hairstyles Collection
Wednesday, November 26, 2008

...and all this time is so far away...

    Okay. This is not an easy moment. All this attention is getting me nervous, and I feel like everything I write is being observed... After all, this has all along been about a private journey into the realm of some contemporary art.
    So, just to make sure it is still a blog, let me tell you a story.
    Once upon a time, I was an addict of skiing. I trained and I raced (without too much of a success) and I even got to spend some time with the Polish Ski Team. My first encounter with them was in a hotel in the French village of Les Deux Alpes. I entered the hotel room, and there they were, Poland's finest skiers. Most of them were concentrated on a Playstation game of Formula 1, with its volume set to maximum level. The rest of the young sportsmen were watching TV - it was a formula 1 race, and its noise was competing with the game. Everyone was completely mesmerized by the two screens. It took me at least a minute to realize there was someone else in the room, though. It was Andrzej Bachleda, by far Poland's best skier, who has lived most of his life in France, and whom I considered a strange guy - not very talkative, some sort of an odd case... In the midst of the overwhelming noise, the man was sitting on the bed, tucked into a corner, and reading Hemingway.
    Well, this man has also come a long way since that moment. He has recently put out another album. Here is one song. (Besides the charming music, do appreciate the Polish mountains in the background).
    Source URL: https://tattoosnyong.blogspot.com/2008/11/
    Visit tattoos nyong for Daily Updated Hairstyles Collection

...and all this time is so far away...

    Okay. This is not an easy moment. All this attention is getting me nervous, and I feel like everything I write is being observed... After all, this has all along been about a private journey into the realm of some contemporary art.
    So, just to make sure it is still a blog, let me tell you a story.
    Once upon a time, I was an addict of skiing. I trained and I raced (without too much of a success) and I even got to spend some time with the Polish Ski Team. My first encounter with them was in a hotel in the French village of Les Deux Alpes. I entered the hotel room, and there they were, Poland's finest skiers. Most of them were concentrated on a Playstation game of Formula 1, with its volume set to maximum level. The rest of the young sportsmen were watching TV - it was a formula 1 race, and its noise was competing with the game. Everyone was completely mesmerized by the two screens. It took me at least a minute to realize there was someone else in the room, though. It was Andrzej Bachleda, by far Poland's best skier, who has lived most of his life in France, and whom I considered a strange guy - not very talkative, some sort of an odd case... In the midst of the overwhelming noise, the man was sitting on the bed, tucked into a corner, and reading Hemingway.
    Well, this man has also come a long way since that moment. He has recently put out another album. Here is one song. (Besides the charming music, do appreciate the Polish mountains in the background).
    Source URL: https://tattoosnyong.blogspot.com/2008/11/
    Visit tattoos nyong for Daily Updated Hairstyles Collection

ABSTRACT ART - Featured Giclee Print of the Day

Of Delicate Pride - Jorge Rodriguez-Gerada

    The Wooster Collective published an interview with Jorge Rodriguez-Gerada. The answers to the following three questions are a brilliant introduction to his work. (My favorite, of course, is the third answer.)

    Wooster: What other artists do you most admire?

    I admire artists from different periods because of how they have impacted me at different times in my life. Leonardo da Vinci, Jean Giraud, Marcel Duchamp, John Heartfield, Ana Mendieta, Chris Burden, Barbara Kruger, Mark Pauline, Christo and Jeanne-Claude, Joseph Beuys and Anselm Kiefer are each a little part of me as an artist. With my contemporaries I would have to say that Swoon, Blu, and Marc Jenkins have impressed me not only with what they say with what they create, but also because of who they are as people.

    Wooster: How would you describe your art to someone who could not see it?

    My art is usually found within the urban landscape. City textures are my favorite background for my work. I like to work with ephemeral materials. One of my directions is to create large charcoal portraits of anonymous people on inner city walls that fade away with the wind and rain.

    Wooster: What other talent would most like to have?

    If I had another lifetime to devote to something else I would probably be an archeologist.


    There is one thing about these portraits from the Identity Series I find awe-inspiring. They are modest. They bring forward the anonymous faces in a way that inspires both empathy and awe. They put them forward, fighting the war with commercial works as well as any. And yet, they are not shining at us with attractive colors. Their truthfulness is more than honest. It is humble. And yet - proud. And one more crucial thing: these faces, they fade away with time. This rare combination of grandiosity and modesty is something truly impressive.

    Which brings us to Rodriguez-Gerada's latest project, the one most of us came to know him for.
    He is the author of a huge portrait of Barack Obama (although actually the work is still not finished). But I think this has received enough publicity already. Appropriately enough, the work will be called Expectations, and is yesterday's news even before it inaugurated. Which tells us as much about the reception of directly political art as about the work itself. (On the other hand, this expectation is also about preparing the desinchantment, isn't it?)

    Two documentaries about Rodriguez-Gerada's work in Spain:

    Source URL: https://tattoosnyong.blogspot.com/2008/11/
    Visit tattoos nyong for Daily Updated Hairstyles Collection

Of Delicate Pride - Jorge Rodriguez-Gerada

    The Wooster Collective published an interview with Jorge Rodriguez-Gerada. The answers to the following three questions are a brilliant introduction to his work. (My favorite, of course, is the third answer.)

    Wooster: What other artists do you most admire?

    I admire artists from different periods because of how they have impacted me at different times in my life. Leonardo da Vinci, Jean Giraud, Marcel Duchamp, John Heartfield, Ana Mendieta, Chris Burden, Barbara Kruger, Mark Pauline, Christo and Jeanne-Claude, Joseph Beuys and Anselm Kiefer are each a little part of me as an artist. With my contemporaries I would have to say that Swoon, Blu, and Marc Jenkins have impressed me not only with what they say with what they create, but also because of who they are as people.

    Wooster: How would you describe your art to someone who could not see it?

    My art is usually found within the urban landscape. City textures are my favorite background for my work. I like to work with ephemeral materials. One of my directions is to create large charcoal portraits of anonymous people on inner city walls that fade away with the wind and rain.

    Wooster: What other talent would most like to have?

    If I had another lifetime to devote to something else I would probably be an archeologist.


    There is one thing about these portraits from the Identity Series I find awe-inspiring. They are modest. They bring forward the anonymous faces in a way that inspires both empathy and awe. They put them forward, fighting the war with commercial works as well as any. And yet, they are not shining at us with attractive colors. Their truthfulness is more than honest. It is humble. And yet - proud. And one more crucial thing: these faces, they fade away with time. This rare combination of grandiosity and modesty is something truly impressive.

    Which brings us to Rodriguez-Gerada's latest project, the one most of us came to know him for.
    He is the author of a huge portrait of Barack Obama (although actually the work is still not finished). But I think this has received enough publicity already. Appropriately enough, the work will be called Expectations, and is yesterday's news even before it inaugurated. Which tells us as much about the reception of directly political art as about the work itself. (On the other hand, this expectation is also about preparing the desinchantment, isn't it?)

    Two documentaries about Rodriguez-Gerada's work in Spain:

    Source URL: https://tattoosnyong.blogspot.com/2008/11/
    Visit tattoos nyong for Daily Updated Hairstyles Collection
Tuesday, November 25, 2008

ABSTRACT ART - Giclee of the Day

Monday, November 24, 2008

Getting Ready

Getting Ready

Sunday, November 23, 2008

ABSTRACT ART - Featured Fine Art Giclee Print of the Day

Saturday, November 22, 2008

ABSTRACT ART - Featured Giclee of the Day

Thursday, November 20, 2008

Celebration

Celebration

ABSTRACT ART Featured Giclee Print of the Day

Wednesday, November 19, 2008

ABSTRACT ART GICLEE OF KECK ORIGINAL PAINTING

Tuesday, November 18, 2008

ABSTRACT ART - FEATURED GICLEE PRINT OF THE DAY

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