Urumi Review

Urumi Santosh Sivan is a mini-masterpiece of mood, emotion, ruled out fears of a thirst for revenge. The film unfolds like a fairy tale and the song is sweet and simple. 170 minutes the film works largely to the perfect casting, and offers an impressive, the result is soothing and technical intelligence.

Santosh made and how it should be like a period drama without talking too much about the struggle for freedom, not bombastic dialogues or playing to the gallery of the tournament. Vision and concept gives the feel of this epic Braveheart or Gladiator.

And give us a new vision in the hearts and minds of the ancient heroes, and shot in locations that reflect the period and everything looks new, clean and green, and one can even feel the fog. Another major plus is that there are no effects of the Special Advisory Group that one can associate with the war film.

Shankar Ramakrishnan script is a simple and direct and maintains the narrative absorbing and inspiring. Film begins in present day with modern young people do not care Krishna Das (Prithviraj) and his friend (Prabhu Deva) having a good time Jolie. There are great offers for companies Krishna Das bomb to his ancestral property in Kerala.

Upon his arrival in Kerala to sign the papers, he learns the truth about the home and grandparents, he said in a flashback. Brave Warrior (Arya), wants to kill the Vasco da Gama, the governor of the Portuguese empire in India. But the brutality by the invaders and his son Chirakkal Kelu Naynar (Prithviraj) is out on revenge with Urumi golden, it makes with the ornaments of the dead included women and children who were burned alive in a ship bound for Mecca. He set it on fire and sank under the instructions of the Vasco da Gama.

And spread this film between the second and third visit of the gamma logs to India and issued a variety of how gamma can be met with a bloody death in 1524. Supported by Kelu Vavvali childhood friends for a Muslim (Prabhu Deva). On a trip to meet Warrior Princess Aisha (Genelia), which her own ax to grind against foreign invaders. Will be able to kill the Vasco da Gama?

Highlight of the film is the performance of lead actors. Prithviraj as Naynar Kelu dashing. You can not take your eyes with him, it's a difficult role and he has come out with flying colors, especially in the scene of the peak. Prabhu Deva there in the tires up to Prithviraj, a real treat to watch. Do comedy and romance with the ease and chat with the song Nithya is screaming.

However, it goes without saying that this is the show for Genelia. Has shed its image is the champagne out of the performance of the world to control and action scenes are exciting Kalaripayattu. Nithya Menen looks beautiful and is the scene stealer, while Jagathy outstanding. Amol Gupte, Alex Rubin, and others are vibrant. There is also a walk in the cameo appearances by Arya, Vidya Balan, and Tabu.

Music Deepak Dev enriches the film with aaro Ni Aaro, Chimmi Chimmiand in the haunting theme music. Shankar Ramakrishnan is to put God scenario is complex, and editing Super Prasad Sreekar without any tricks of the eye catching and beautiful camera work Sevan and his assistant Shukla, Anjuli.

Santosh Sivan has come out with a story of valor with admiration degree of professionalism and clarity. And producers can Santosh, Prithviraj and Natesan Shaji be proud of this epic.

Urumi is a fantasy fiction story that contains the heart and the technical. Go for it.


 ........................... Urumi Review Pictures ............................



































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Wankhede Stadium New Look

Wankhede Stadium in Mumbai, is preparing to host the World Cup Cricket 2011 April 2, 2011.

Wankhede Stadium is a cricket stadium in the Indian city of Mumbai. This land was built after disputes between the Cricket Club of India, which owns the Stadium Brabourne, Mumbai Cricket Association and through the allocation of tickets for cricket matches.


............................. Wankhede Stadium New Look ................................


























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Puja Gupta

Puja Gupta is an Indian Model and actress. She was the winner of Miss India Universe in 2007 and later went to Mexico to participate in Miss Universe 2007, finishing in 9th place. Born in New Delhi on January 30, 1985, Gupta came to the spotlight after winning the Pantaloons Femina Miss India Universe in 2007 organized by Pantaloons, a clothing line and Femina, a women's magazine in India. n aspiring actress and former Miss India Puja Gupta is making her film debut in Puja films upcoming movie FALTU She encouraged tourism in Germany as an Indian ambassador. Find here puja gupta photo gallery, puja gupta faltu heroine images, Miss India 2007 Universe Puja Gupta latest stills, miss india puja gupta new pictures, faltu hindi movie actress pooja gupta cute photoshoot pics.


.............................. Puja Gupta Pictures ..................................


























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Uco Bank Recruitment 2011

UCO Bank has given details of the announcement for the recruitment of information technology - employee MMGS II: UCO Bank employment. Candidates should applicants for the following positions have all the basic qualifications as stated in the Declaration's main www.ucobank.com. Therefore, candidates must meet the standard required to go the opportunity to get a job in the bank. Regularly open recruitment every year. This time they are going to hire an information technology officer - MMGS II.

The exam will be held this year, according to the method given in the notification issued by the Bank. It will be a selection process that goes through written test followed by interview. The following information to see if you qualify or not. For full details on the vacancy / Jobs Go www.ucobank.com main advertisement for the employment of any UCO Bank in 2011.
Key details about the UCO Bank Recruitment 2011

UCO Bank

(Government of India and pledged)

Head of the Office of Personnel Management Services, 3, 4 DD Block, Sector 1, Salt Lake, Kolkata 700 064

Information technology employees in the second MMGS

    * Number of Vacancies: 43 posts
    * Salary scales and compensation in the second MMGS: 19400 -700 / 1 up to 20 100 - 800 / 10 --28,100

DA will be paid, the law of human rights and the common country assessment in accordance with the rules in force from time to time and depending on the place of publication. Medical, LFC, benefits and perquisites other terminal as the prevailing rule in

    * Age: minimum 25 years. Maximum of 40 years, with relaxation to / OBC SC ST and others, according to the rules

Important dates

   1. Pay the application fee and stamp duty from: 30/04/2011 to 05/14/2011
   2. The date of opening the door Online Registration: 30/04/2011
   3. Deadline for online registration: 05/15/2011
   4. The last date for receipt of applications: 25/05/2011

Choose an action: the procedure will be selected through group discussion and / or personal interview.

Complete information go to: Advertising in www.ucobank.com

Non-refundable application fee and postage:

   1. STs / PC candidates Rs. 50 / - (postage only)
   2. All others including OBC Rs. 400 / - (application fee 350 / - plus 50 / - stamp duty)
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Pakistan Newspaper

Mohali, India: More than a dream. Sachin Tendulkar Pakistan dropped four times and paid the price because they had succumbed to India by 29 runs in the high-octane semi-final at the World Cup before the Permanent Court of Arbitration packed stadium here on Wednesday.
Living dangerously, and 85 were Sachin to guide India to 260-9 by Pakistan in chaos-run chase to put an end to an otherwise bright for the World Cup on a disappointing note.
Sachin - Looking for tons of his international 100 - dropped by lamp Zia ul-Haq in 27.45 in Khan Younis, Kamran completed in 70 and finished at the age of 81, Pakistan has failed to live up to the event and crashed to the loss of the fifth World Cup against arch-rivals.
Wahab Riaz chose five wickets, but all his hard work went in vain as Pakistan collapsed under pressure, chasing 261 - gettable target consider the fact that the wicket held no demons, while others in the pitch and lightening fast.
Pakistan fell terribly short on many fronts. Umar Gul, the star pacer, which was a poor, milking 69 runs from 8 overs.
He missed a good start openers, while the top were not able to click when to order more than others. Younis Khan flopped again during the Misbah was unable to lift really rounds although it scored the highest with 56 from 76 balls. It was a sad spectacle such as Pakistan Vice Captain to try to achieve the miracle that Pakistan is in dire need at the end of rounds, but fell short of painful. And throw them if Greenshirts 231 in 49.5 overs.
Shahid Afridi went wicketless for the first time in the tournament and then failed to take advantage of a good start with the bat. Abdul Razzaq al-flopped with the bat and ball both.
Pakistan have no one else but themselves to blame. It was started in the beginning of a fine by the openers fell, playing poor shots.
Kamran started completed (19 from 21 balls) Pakistan innings with a superb drive for four off Zaheer Khan first ball. But fell in trying to drive slower and only one to reach it directly to Yuvraj Singh at point.
Raced Hafeez, who hit fifty, who are unbeaten in the tenth wicket victory over the islands of the West Indies in the quarter-final effort to almost 43, to reach to the borders of seven delicious in this process. But in a moment of madness, try to paddle sweep of the delivery of Munaf Patel, who was out of the trunk of the management only to edge to Dhoni.
The Asad Shafiq (30) Next to move before trying to cut the Khan Younis Yuvraj failed again and tried to get the left-armer to only a spoon to Raina at cover. Pakistan had been in 26106-4 is an urgent need to rescue law.
Umar Akmal returned briefly to provide it with the ball breezy 24-29, which included two from Philadelphia. And threw away his wicket, playing volley ball awful as the arm of [Herbahjn] Singh smashed his stumps.
Afridi decided to promote Abdul Razzaq up in the system, but the move did not click with the allrounder back to the dressing room hit by a slow leg cutter from Munaf Patel.
Pakistan captain joined his deputy and his team hoped for a miracle. He added that the partnership Afridi 34 of the lamp 33 to the total, but only when things were starting to improve respect for Greenshirts, Afridi went for a big one off [Herbahjn] However, the marsupial, which Virender Sehwag.
Pakistan has been unable to get any worthwhile partnerships with the open position of 44 being the best rounds of their own. And set up all the Indian bowlers five wickets two apiece.
Earlier, and it seems that when Virender Tendulkar and smashed Gul all over the park to take India to 47-0 in the amounts the first five, as if they were set with the host team, which won a crucial toss, the last thing a large group it seems wickets apartment. Struggling for rhythm, and exude Gul for a period of 41 from the opening four overs, which included nine boundaries.
It was Virender elegant watch that he withdrew, cut and drove with enviable ease. But it has led the introduction of the fall-Wahab opened strong with one that skidded and caught him plumb before the wicket. Virender request for review, but stressed that the rule of Simon Taufel was on the spot. Virender Sehwag hit nine in four veil his 25 - ball fun.
Gautam Gambhir then added 68 of 68 balls with Tendulkar also keep ticking even Duo Motherboard Pakistan started to apply some pressure with Wahab, bowling superbly beautiful Hafeez.
Hafeez, who had got Pakistan, which penetrate the much-needed, and beating Gambhir Aviation and Kamran did the rest. Gambhir hit two boundaries ball --3,227.
Tendulkar then took India to 141-2 in 25 payments before the got rid of Virat Kohli and Yuvraj Singh Wahab of successive births. It has been recognized by the impoverished fishing Cooley, who was arrested at a point back by completed age. The next one of the very one that crashed swinging their trunks in full throttle.
Sachin and Dhoni then put on 46 of 69 balls before Pakistan has finally decided to get rid of the former. The Afridi, who took over fishing in the short extra cover off the most beautiful. Tendulkar hits for 161 minutes, faced 11 511 balls and hit the border. Dhoni fell 18 runs later Wahab and even referral to save it to the commander of the Indian Ocean.
Suresh Raina played a vital blow 36 (not out) to make sure that India has up to a total of fighting. He faced 39 balls and hit three boundaries. Fell [Herbahjn] (12) for the best-Wahab scalped while Zaheer Khan (9) before running out of Nehra (1) and India ended in the amounts of 50 260-9. With the end of 5-46 while Wahab took 2-44 beautiful.
Earlier, Pakistan has decided against making any changes to the squad which helped to crush the West Indies by four wickets in the quarter-finals last week in Dhaka. The temptation to bring Shoaib Akhtar was there, but in the end she chose to keep Wahab. India has remained surprisingly, in the form of rotor Ravichandran Ashwin Ashish Nehra to bring in a tenth game.
The Board record
India won toss
India
LBW b Virender V W Riad 38
S R S Tendulkar c Afridi b s 85 most beautiful
P K u Gambhir completed Hafeez b M-27
U V Kohli c Akmal b Riaz W 9
W. Riad Yuvraj b Singh 0
* MSN † LBW b DENIS W. Riad 25
SK Raina not out 36
[Herbahjn k] st Akmal b Singh s 12 most beautiful
Z Khan c Akmal b Riaz K. W. 9
Nehra and ran out of a
M. M. Patel not out 0
Extras (lb 8.8 W, Note 2) 18
Total (9 wickets; amounts 50) 260
Fall: 1-48 from 0.2 to 116 0.3 to 141 0.4 to 141 0.5 to 187 0.6 to 205 0.7 to 236 0.8 to 256 0.9 to 258
Bowling: U Gul 8-0-69-0 (2nb, 1W), and Razzaq 2-0-14-0; Riad W. 10-0-46-5 (4W); s Best 10-0-44-2 (2W ); s Afridi 10-0-45-0; Hafeez 10-0-34-1 M.
Pakistan
† Khan, Kamran Akmal c Yuvraj 19
Mohammad Hafeez c Patel b Dhoni 43
Shafiq al-Assad of 30 Yuvraj
Younis Khan c Raina Yuvraj 13
Lamp - Ejaz ul Haq c Kohli Khan 56
Omar [Herbahjn] B-29 Complete
Abdul Razzaq 3 Patel
* Virender Sehwag c Afridi Shahid [Herbahjn] 19
Wahab Riaz c Tendulkar b Nehra 8
Umar Gul LBW b Nehra 2
Said Best not out 1
Additives (w 8) 8
Total (including; amounts 49.5) 231
Fall: 1-44 from 0.2 to 70 0.3 to 103 0.4 to 106 0.5 to 142 0.6 to 150 0.7 to 184 0.8 to 199 0.9 to 208 0.10 to 231
Bowling: Khan 9.5-0-58-2 (2W); Nehra 10-0-33-2 (1W); Patel 10-1-40-2 (1W); 10-0-43-2 [Herbahjn]; Yuvraj 10 - 1-57-2
Result: India win by 29 runs
Man of the Match: Sachin Tendulkar (India)
Referees: J. Gould (England) and SJA Taufel (Australia). TV arbitrator: AFP Bowden (New Zealand). Match Referee: RS Madugalle (Sri Lanka)
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Welcome To All Entry

 Welcome To All Entry
Hello Friends Welcome  to the allentry.blogspot.com. we provided the all entry of the world like as Fashion, Mehndi Designed,  Dress Designed, Funny Pictures, and all kind of news of the world like as Breaking News, US News, World News, Sport News, Entertainment News  
Source URL: https://tattoosnyong.blogspot.com/2011/03/
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Allan Kaprow on installation and performance

Now, I think those two words, installation and performance, mark accurately the shift in attitude toward a rejection or sense of abandonment of an experimental, modernist, position which had prevailed up to about, lets be generous, up to about 1968-1969, and began gradually becoming less and less energized. So, I think what you’re getting there is the flavor of modernist exhaustion and incidently a return to earlier prototypes, or models, of what constitutes art. And it’s no accident that the majority of most performance nowadays, there’s not much installation anymore, by the way, the majority of those performances tend to be of an entertainment, show biz, song and dance, in which the focus is on the individual as skilled presenter of something that tends to have a kind of self-aggrandizing, or at least self-focusing, purpose. It is artist as performer, much like somebody is an entertainer in a nightclub. And they’re interesting. Some of them are very good. I think Laurie Anderson is very good. She’s got all the skills that are needed in theater, which is what this is. Many others who jump on the bandwagon, coming from the visual arts, have no theatrical skills, and know zilch about the timing, about the voic about positioning, about transitions, about juxtapositions, those moment by moment occurrences in theater that would make it work. But it’s another animal, whether good or bad, from what we were doing, and I think, in general, even the good ones are a conservatizing movement.


- Allan Kaprow, 1988 (full interview is here)
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Allan Kaprow on installation and performance

Now, I think those two words, installation and performance, mark accurately the shift in attitude toward a rejection or sense of abandonment of an experimental, modernist, position which had prevailed up to about, lets be generous, up to about 1968-1969, and began gradually becoming less and less energized. So, I think what you’re getting there is the flavor of modernist exhaustion and incidently a return to earlier prototypes, or models, of what constitutes art. And it’s no accident that the majority of most performance nowadays, there’s not much installation anymore, by the way, the majority of those performances tend to be of an entertainment, show biz, song and dance, in which the focus is on the individual as skilled presenter of something that tends to have a kind of self-aggrandizing, or at least self-focusing, purpose. It is artist as performer, much like somebody is an entertainer in a nightclub. And they’re interesting. Some of them are very good. I think Laurie Anderson is very good. She’s got all the skills that are needed in theater, which is what this is. Many others who jump on the bandwagon, coming from the visual arts, have no theatrical skills, and know zilch about the timing, about the voic about positioning, about transitions, about juxtapositions, those moment by moment occurrences in theater that would make it work. But it’s another animal, whether good or bad, from what we were doing, and I think, in general, even the good ones are a conservatizing movement.


- Allan Kaprow, 1988 (full interview is here)
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HeadStrong

Headstrong is a project I worked on for an art director in Belgium. A good example to show the amount of preliminary sketching involved when creating a lettering piece from scratch.



Having done some 40+ sketches I let the client choose which version to proceed with. The version selected required additional development.



After setting up the initial character lines I decided to proceed with additional sketches. Initially there were too many irregular overlapping lines with no consistent baseline or X-height. I did some quick studies with a Condor pen and choose the version on the bottom to scan and use as a revised template in Illustrator.



With the new template image everything fell into place with weights, B/W contrast and visual clarity. Big difference from the initial attempt.



This was one of those rare projects in my lettering career in which a client loved the progress sketches including the final lettering, had full knowledge of pricing and payment responsibility but decided to not pay for any of the work I produced for unknown reasons. Regardless, this one is a very cool lettering piece to show which I believe will lead to something positive with more opportunities for interesting lettering projects in the future.Source URL: https://tattoosnyong.blogspot.com/2011/03/
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Black Square: Malevich and The World That Wouldn't Die

Here it is: the end of the world.
I am standing in front of it, and it looks like shit.
It is Kasimir Malevich's "Black Square", it hangs at the New Tretyakov national gallery in Moscow, and it is dirty, tired, bleak, so unimpressive it is embarrassing to see.
And yet, that is the end.
This can well be seen as the point where art enters the other world zone, leaving our poor miserable world of bodies behind. This art is spiritual, declares Malevich, and I am ready to believe him, not on faith, but because at this point faith is the only thing that can carry me as a viewer. To appreciate it - I think while standing in front of the painting - I need to believe that what my mind brings me when looking at this painting, it brings thanks to the painting. (And that it's worth the trip). Any thought, then, is a belief.
The painting is all cracked, it seems like it lived through terror, two wars and a revolution (it did).

For a while, I wonder what disturbs me in all this. I take Malevich's painting as an ever-returning challenge. We are challenged to accept this or go beyond this. We are challenged to deal with the out-of-this-worldliness of aesthetic creation. Supreme it is.

I thought all this quite disappointing, a concept I would have rather kept as a concept, a story, rather than seeing it translated into a poor somewhat-black square. But what about the painting? Doesn't it have anything to say? The cracks are most probably the result of the artist being in a hurry (it seems he put the black layer over the white one before the latter dried out). The strokes, we can clearly see, are uneven, quick, there is nothing uniform about this, and even the outside lines of the square are uneven (he is said to have painted it free hand, and very free it was). It is not a good square. Or, no: it is not the square we are told it is. It is a square that tells the history of its creation, the story of the tension, the energy, the impatience. It is a clear window into something that happened, into a performance of painting and a moment of life. In that sense, the painting appears better than we ever could have dreamed. It goes back to this world. The painting outdoes the painter - through unveiling something more than what he had planned.
Inside of the cracks, if we watch carefuly, we see another color, it is not black or white, and at moments it seems like it's not grey either. It varies from spot to spot, it is reddish, brownish, somewhere close to the color of flesh. It is the color of revenge. The revenge of the painting.Source URL: https://tattoosnyong.blogspot.com/2011/03/
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Black Square: Malevich and The World That Wouldn't Die

Here it is: the end of the world.
I am standing in front of it, and it looks like shit.
It is Kasimir Malevich's "Black Square", it hangs at the New Tretyakov national gallery in Moscow, and it is dirty, tired, bleak, so unimpressive it is embarrassing to see.
And yet, that is the end.
This can well be seen as the point where art enters the other world zone, leaving our poor miserable world of bodies behind. This art is spiritual, declares Malevich, and I am ready to believe him, not on faith, but because at this point faith is the only thing that can carry me as a viewer. To appreciate it - I think while standing in front of the painting - I need to believe that what my mind brings me when looking at this painting, it brings thanks to the painting. (And that it's worth the trip). Any thought, then, is a belief.
The painting is all cracked, it seems like it lived through terror, two wars and a revolution (it did).

For a while, I wonder what disturbs me in all this. I take Malevich's painting as an ever-returning challenge. We are challenged to accept this or go beyond this. We are challenged to deal with the out-of-this-worldliness of aesthetic creation. Supreme it is.

I thought all this quite disappointing, a concept I would have rather kept as a concept, a story, rather than seeing it translated into a poor somewhat-black square. But what about the painting? Doesn't it have anything to say? The cracks are most probably the result of the artist being in a hurry (it seems he put the black layer over the white one before the latter dried out). The strokes, we can clearly see, are uneven, quick, there is nothing uniform about this, and even the outside lines of the square are uneven (he is said to have painted it free hand, and very free it was). It is not a good square. Or, no: it is not the square we are told it is. It is a square that tells the history of its creation, the story of the tension, the energy, the impatience. It is a clear window into something that happened, into a performance of painting and a moment of life. In that sense, the painting appears better than we ever could have dreamed. It goes back to this world. The painting outdoes the painter - through unveiling something more than what he had planned.
Inside of the cracks, if we watch carefuly, we see another color, it is not black or white, and at moments it seems like it's not grey either. It varies from spot to spot, it is reddish, brownish, somewhere close to the color of flesh. It is the color of revenge. The revenge of the painting.Source URL: https://tattoosnyong.blogspot.com/2011/03/
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A Long Night

This sample sums up what happens towards the end of every night in my lettering life. I have never found an easy method or solution to create a lettering treatment. Probably never will.Source URL: https://tattoosnyong.blogspot.com/2011/03/
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The Beauty of Imperfection

There is something about mistakes and the beauty they create. This is another lettering piece done with a Condor fountain pen on rough texture paper.Source URL: https://tattoosnyong.blogspot.com/2011/03/
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