Sensuality is a delicate game.
There is something about perversion that makes it aesthetically appealing.
This glass is made of cat hair.
This is part of a series of cups/glasses made of cat hair. They are incredibly attractive, soft and pleasant. Yet, at the same time, they are repulsive. They're unbearably close.
This game of closeness, this flirt with the uncomfortable distance when objects go out-of-focus, is what makes them so powerful.
Of course, they have an artistic predecessor: surrealist's Meret Oppenheim's Object, from 1936.
But this here is a different story. It is far from a heavy surrealist joke. The series, called Drink-me-by, has more to do with the transparence of a look, or the hesitating, ephemeral nature of our feeling-of-the-world. It is still a play with the senses, but it trusts us more as viewers (and as touchers).
The author, Verónica Fernandes, doesn't like the comparison. Object was not an inspiration, and for her, it belongs to a different language, a different way of looking at things. She says: "If we were to put it in cinematographic language, The Object is more like a cartoon, with its forms covered by fur. Drink-me-by is for me more like a film, as its very structure is made from the hair"
The cups differ as much as the cats :
There is even one you can actually drink from - or mistreat. It has a fine layer of silicone, giving it new qualities:
I had the great privilege of seeing these objects come to life. Their author has not exhibited them anywhere. She hasn't even thought about it - but if you know of a gallery that would be interested, please let me know. They definitely deserve to be seen outside of this modest virtual setting.
(all pictures of Drink-me-by are by José Miguel Soares)
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There is something about perversion that makes it aesthetically appealing.
This glass is made of cat hair.
This is part of a series of cups/glasses made of cat hair. They are incredibly attractive, soft and pleasant. Yet, at the same time, they are repulsive. They're unbearably close.
This game of closeness, this flirt with the uncomfortable distance when objects go out-of-focus, is what makes them so powerful.
Of course, they have an artistic predecessor: surrealist's Meret Oppenheim's Object, from 1936.
But this here is a different story. It is far from a heavy surrealist joke. The series, called Drink-me-by, has more to do with the transparence of a look, or the hesitating, ephemeral nature of our feeling-of-the-world. It is still a play with the senses, but it trusts us more as viewers (and as touchers).
The author, Verónica Fernandes, doesn't like the comparison. Object was not an inspiration, and for her, it belongs to a different language, a different way of looking at things. She says: "If we were to put it in cinematographic language, The Object is more like a cartoon, with its forms covered by fur. Drink-me-by is for me more like a film, as its very structure is made from the hair"
The cups differ as much as the cats :
There is even one you can actually drink from - or mistreat. It has a fine layer of silicone, giving it new qualities:
I had the great privilege of seeing these objects come to life. Their author has not exhibited them anywhere. She hasn't even thought about it - but if you know of a gallery that would be interested, please let me know. They definitely deserve to be seen outside of this modest virtual setting.
(all pictures of Drink-me-by are by José Miguel Soares)
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